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ATEEZ ‘BAD’ MV Stars Golden Globe Nominee Chase Infiniti: How a Lifelong ATINY Became the Group’s Co-Star

ATEEZ ‘BAD’ MV Stars Golden Globe Nominee Chase Infiniti: How a Lifelong ATINY Became the Group’s Co-Star

The boundary between Hollywood prestige and K-pop devotion has officially vanished. On June 26, 2026, ATEEZ unleashed their highly anticipated music video for “BAD,” the lead single from their 14th mini-album, Golden Hour: Part.5. Yet, the internet is buzzing not just about the Brazilian punk-infused track or the signature high-octane choreography, but about the surprise leading lady: Golden Globe-nominated actress Chase Infiniti. For the 25-year-old breakout star of Paul Thomas Anderson’s One Battle After Another, this is not a typical celebrity cameo. It is the ultimate manifestation of what Korean fans call a “seongdeok”—a successful fan who has crossed the velvet rope to collaborate with their idols.

From Cover Dancer to Co-Star: Chase Infiniti’s ATINY Origins

Long before Chase Infiniti walked the Oscars red carpet or earned a National Board of Review Breakthrough Performance award, she was deeply embedded in the ATINY fandom. During her time studying musical theatre at Columbia College Chicago, she co-founded the Duple Dance Crew, a collective that has been posting K-pop dance covers since 2019. ATEEZ’s notoriously demanding choreography featured prominently in their repertoire.

Her devotion to the eight-member powerhouse group has been a consistent talking point throughout her meteoric rise in Hollywood. During the press tour for One Battle After Another, she openly recommended tracks like “Guerrilla,” “Bouncy,” and “Hala Hala” to her co-star Teyana Taylor. Infiniti even confessed on the web series Royal Court that she carries photo cards of ATEEZ member Choi San in her purse. When asked by Complex on the Oscars red carpet to name her K-pop Mount Rushmore, she answered without hesitation: “ATEEZ, NCT, VERIVERY, aespa.”

Decoding the Visual Drama of “BAD”

The music video for “BAD,” directed by the acclaimed production team digipedi, places Infiniti at the center of a cinematic thriller. The visual narrative opens with a dramatic wedding scene where Infiniti is seen wearing eight rings—one representing each ATEEZ member. Just as the groom attempts to place another ring on her finger, the ceremony is dramatically interrupted by the group. Subsequent scenes feature intense interactions, including Infiniti sharing screen time with Jongho while Yeosang observes from afar, and later appearing alongside Wooyoung under San’s watchful gaze.

KQ Entertainment has described “BAD” as a Brazilian punk track driven by groovy beats, marking another sonic evolution for the group. The visual storytelling, complete with callbacks to their previous cinematic universes, has been widely praised by fans. Many have taken to social media and Reddit to declare it one of the group’s most visually stunning releases to date, praising the color grading, intricate outfits, and the seamless integration of a Hollywood actress into their complex lore.

A Divisive Sonic Evolution Sparks Debate

While the music video has garnered near-universal acclaim, the song itself has sparked intense debate within the K-pop community. Golden Hour: Part.5 arrives on the heels of the massively successful Part 4, which debuted at No. 3 on the Billboard 200 in February 2026. Expectations were understandably astronomical.

Some listeners have expressed frustration with the track’s structure, particularly the chorus. Critics argue that the repetitive, staccato delivery feels like a departure from the grandiose, anthemic melodies that defined ATEEZ’s earlier discography. However, others argue that the rap-focused verses and experimental Brazilian punk influences demonstrate a willingness to take risks. Despite the divided opinions on the title track, the EP’s B-sides—particularly “Mamacita”—have been quickly embraced as standout tracks by the fandom.

Chase Infiniti’s Hollywood Credentials

Infiniti’s appearance in the “BAD” MV is not just a novelty stunt. She is one of Hollywood’s most decorated rising stars. Born in Indianapolis, the 25-year-old earned a Golden Globe nomination for Best Performance by a Female Actor in a Motion Picture — Musical or Comedy for her role as Willa in One Battle After Another, opposite Leonardo DiCaprio. The film led the 83rd Golden Globe Awards with nine total nominations. She also received a BAFTA Rising Star Award nomination, a SAG Award nomination, a Critics’ Choice Award nomination, and won the National Board of Review Breakthrough Performance award. Currently, she stars in Hulu’s The Testaments, the sequel to The Handmaid’s Tale, for which she received the Gotham TV Award for Outstanding Lead Performance in a Drama Series.

Her inclusion in the Forbes 30 Under 30 cohort for 2026 further cements her status as a generational talent. The fact that she has openly championed ATEEZ throughout her rise makes this collaboration feel earned rather than manufactured.

10 Million Views and the Road to BST Hyde Park

The “BAD” music video surpassed 10 million YouTube views within its first day of release, a testament to the global reach of both ATEEZ and the curiosity surrounding Infiniti’s involvement. The release of Golden Hour: Part.5 is perfectly timed to coincide with one of the most significant milestones in ATEEZ’s career. On June 28, just two days after the album’s launch, the group is set to headline the prestigious British Summer Time Hyde Park festival in London.

This historic performance will cement their status as global stadium headliners and introduce their intense performance style to a massive new audience. The album’s tracklist—featuring “BAD,” “Mamacita,” “Toxin,” “Fallin’,” and “Body”—offers a diverse sonic palette that should translate powerfully to the festival stage.

What “Seongdeok” Means for K-Pop’s Global Future

For Chase Infiniti, starring in “BAD” is the culmination of a fan’s ultimate dream. For ATEEZ, it is a testament to their sprawling, cross-cultural influence. The Korean concept of “seongdeok”—a fan who achieves enough success to meet or work with their idols—has traditionally applied to Korean celebrities. Infiniti’s story expands this concept across continents and industries, proving that K-pop fandom can be a legitimate pipeline to creative collaboration at the highest level.

As ATEEZ prepare to conquer Hyde Park and continue their Golden Hour era, the collaboration with Infiniti serves as a powerful reminder that in the current age of global pop culture, the line between the stage and the audience is thinner than ever. The question is no longer whether K-pop can attract Hollywood talent, but how many more Chase Infinitis are waiting in the wings.

Jirasi Lee

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